#the superior doctor who arthurian story actually

[peppermint-jade]

I am the target audience for Doctor Who: Legends of Camelot

Text is available in the image descriptions

[birdsareblooming]

Sonic may actually be lost royalty

I keep going down these rabbit holes I shouldn’t go down BUT! Although this theory is one that I don’t fully believe in (unlike the infinite/solaris theory and the chaos emerald theory) I still have a good argument that I want to talk about very bad.

I also tried to make this as short as possible but there’s a lot of ground to cover, but at least it’s not the infinite/solaris theory. But I have a TLDR at the end.

[Spoiler Warning for Sonic and the Black Knight]

let’s start with a ✨numbered list✨

1. Blaze the Cat

Blaze is the biggest caveat for this theory, but I think it’s best to start with her.

Now, firstly I need to clear up some things.

[Eggman: My world...]

[Eggman Nega: and my world...]

[Eggmen: are in a manner, inextricably linked!]

[Blaze: Like two Eggmans?]

Part of the Blaze’s world is that it’s a parallel universe. Parallel Eggmen, Parallel emeralds, Everything else that isn’t stated outright. Like how Tails and Marine are definitely counterparts. Seeming as Tails came from South Island and Marine came from southern island, Tails is definitely based on a kitsune and Marine, in theory, based on a tanuki. 

And, although not stated completely, Blaze and Sonic are universal counterparts.

[From Sonic Wiki: Blaze was designed as a charater who was equivalent yet and alternate version of Sonic’s character.]

Much like the Sol and Chaos emeralds, Sonic and Blaze are a mirror version of one another, although slightly different.

Alright, now that we have that out of the way:

Looking at the connections between the others, Sonic and Blaze seem, a bit too different.

The Sol and Chaos emeralds fulfill the same role, although their different appearance, and have a similar story.  Tails and Marine fulfill the same role, although their different appearance, and have a similar story. The Eggmen fulfill the same role, although their different appearance, and have a similar story. 

Blaze and Sonic fulfill the same role, although their different appearance, and have a... completely different story. 

Blaze was born to a royal family, and set to protect the Sol Emeralds and the Jeweled Scepter as her birthright, and it’s somewhat hinted that her powers may also be a birthright. Sonic, on the other hand, has no known past, and seems to have just run into the Chaos Emeralds by accident. 

You could claim that Blaze does take on the role of both Sonic AND Knuckles, which is fair and stated on the wiki, however Knuckles is also never stated to be any kind of royalty, and certainly doesn’t have that kind of past, his past being one of the more tragically alone ones. 

And here’s something interesting.

Time has warped our vision of Blaze. We all know her as “Princess Blaze the Cat.” But from watching Sonic Rush, her opening game... she is never mentioned to be a princess until the very end.

[Burning Blaze: As princess, it is my duty to protect the Sol Emeralds...]

From what I remember, this is the FIRST mention of her royal status. 

From this game’s viewpoint, they reveal the mirror status of the dimensions. They then show both Blaze and Sonic having mirror super transformations using their emeralds, highly implying that Sonic and Blaze were mirror versions. (also this was implied already by just Blaze’s shoes.) and then it’s revealed that Blaze is royal, and a princess. 

So if she’s the mirror of Sonic, what does that mean for Sonic? Especially right after showing the two of them being, well, mirrors.

2. King Arthur

SATBK is much less transparent about the counterpart universe thing.

Now this is an alternate universe, set up by Secret Rings, and surprisingly not just a story Sonic told as an elaborate excuse.

They don’t hide obivous Sonic characters being put into roles, and their in these roles for a reason.

Blaze and Silver as Percival and Galahad, the knights who quested together for the holy grail. Knuckles as Gawain literally only because of “Gawain and the Green Knight” But I respect that so much. Jet as Lamorak because of Lamorak’s fiery temper and competitiveness.  Shadow as Lancelot because he’s the “closest knight to the king” stated in game (👀) Tails as a Blacksmith because that’s p much the medieval version of a mechanic. Amy as the Lady of the Lake because like. Fuck she’s the most powerful one there. (but seriously, in forces she’s shown to be the most level headed leader and strangest, especially in Sonic’s absence. As well as “sensing” that he was still alive and having a past in tarot.) And Merlina as Merlina because... well that’s a whole other theory.

(all my theories are being brought up in the post. like i know the first two were expamples of theories I fully belive in but damn this is like a avengeners, ok,)

But Sonic as King Arthur makes sense when it’s revealed. Although he wasn’t anyone’s counterpart in Secret Rings (because secrets rings was confused as hell) He is in this game, and as the ring leader of everyone following him in SATBK, it makes sense. 

Although something that was never brought up...EVER is the Knight’s backstories, which are EXTREMELY important not only in Arthurian legends, but for the knights in Sonic lore. All of the knight’s mentioned backstories are important to their character, in both contexts. Although their never brought up.

*DEEP BREATH* Alright. The similarities between Sonic Character/Knight backstories.

Shadow and Lancelot have pretty simmilar backstories when getting down to it. Shadow/Lancelot were both raised for greatness, but still outshined by Sonic/Arthur. Although remaining loyal to them, even if for Shadow it’s only in times of need. Shadow doesn’t want to admit he’s a supporting role to Sonic, although Sonic generations kinda throws that Idea out of the water when Shadow cheers Sonic on while watching from the sidelines, much like early Lancelot.

For Blaze and Percival, in multiple interpretations Percival is of noble birth. Upon meeting Sonic’s Gang/The Knights, Blaze/Percival get’s inspired by their heroics and eventually joins them.

“Lancelot and Percival prove morally superior to Gawain who follows the rules of courtliness to the letter rather than the spirit.“ Is an actual quote from Wikipedia. Although it is VERY hard to find a concrete backstory for Gawain other than “separated from his home”, I think this proves enough. As well as the Gawain and the Green Knight story (in which Gawain tries to slay the green knight and then he picks up his head and says “see you in a year” is pretty representative of Knuckles constantly breaking the master emerald in a comedic light.) 

Lamorak/Jet are known for challenging Arthur/Sonic to competitions. 

Galahad/Silver are searching for an object/person aided by Percival/Blaze

So now that we’re all good, do you see the similarities between part one.

Although everyone else has given backstory similarities, Sonic is given none, seeming as, as far as we know, Sonic HAS no backstory.

But isn’t it interesting that King Arthur’s backstory is being lost royalty? And the secret son of the king? Wack.

3. Sonic Fucking Underground

Now, most of you are probably unfamiliar with Sonic Underground. Good.

If you’re not, you watched it as a kid and you’re nostalgic, and let me tell you I watched the entire show recently and it’s not as good as you remember.

But Sonic Underground’s quality and history could be a post on it’s own, it doesn’t matter here. What matters is the plot:

[From Sonic Wiki: Sonic, Sonia, and Manic are the children of Queen Aleena, the rightful ruler of Mobius and are pursued relentlessly by Doctor Robotnik and his bumbling bounty hunters sidekicks, Sleet and Dingo. As infants, the siblings were separated and placed in hiding to fulfill a prophecy made by the Oracle of Delphius (a spoof of the Oracle of Delphi of Ancient Greece) that the triplets would grow up to find their estranged mother, overthrow Robotnik and take their places once more as Mobius' rightful rulers.]

FORGOTTEN ROYALTY YOU SAY.

Now, Sonic Underground is VERY SEPARATED from Sonic Lore, and nothing has ever taken from it besides Manic appearing in some comics, although from what I know he’s never mentioned to be Sonic’s brother. So This is the part I always take with a grain of salt, however;

4. In conclusion/TLDR

We have Two Instances of Sonic being lost Royalty (One in a separate reality and one in a separate continuity) We have Two Instances of Dimentional Counterparts of Sonic being Royalty (Blaze and King Arthur) We have zero given backstory for Sonic We have Three instances of Sonic, or a counterpart, being royalty

And from what I remember hearing, three’s a pattern.

[shkspr]

The Gospel according to David and Michael

transcribed from [x]

Good Omens, Neil Gaiman and Terry Pratchett’s darkly comic novel about the battle between good and evil, comes to Amazon Prime this spring. To mark the occasion, the British stars of this hugely anticipated show  — Michael Sheen and David Tennant  — take New York in style. HAYLEY CAMPBELL meets them.

It’s Sunday morning in New York City and it’s snowing outside the warm, jazz-filled Beekman hotel, where a 50th-birthday balloon has been trapped for months at the apex of the glass atrium at the top of one of the city’s first skyscrapers. One thousand New Year’s Eve balloons have risen and fallen in the time this one silver balloon has taken to not die. If the apocalypse were to arrive tomorrow, this balloon would survive along with the cockroaches, the deep-sea fish, and the angel and the demon who tried to avert the disaster. If the prophecies of Terry Pratchett and Neil Gaiman’s cult novel Good Omens prove to be correct, this balloon would bob high above their heads as it is doing now — above Michael Sheen and David Tennant, light and dark, good and evil, an angel and a demon sitting either side of me in lower Manhattan, eating eggs.

I last saw these two together in 2017, in the middle of London’s Battersea Park, shooting some early scenes of their hugely anticipated television show. Good Omens is about the birth of Satan, the coming of the End Times, and an angel (Aziraphale — who has been living on Earth since the dawn of creation and is currently working in a bookshop avoiding selling books because he really just likes to collect them) and a demon (Crowley — who used to be known as Crawly, the snake who tempted Eve with the apple). The pair have spent so much time on earth that they’ve come to quite like it, and don’t much fancy the idea of it all ending. The novel was published in 1990 and has gone on to become so loved that it is rare to see a pristine copy in the world: copies of Good Omens almost always come pre-dunked in tea. Shortly before his death from Alzheimer’s in early 2015, Pratchett wrote an email to his collaborator Gaiman asking him to take it to the screen, to do it properly. “I’m making it for Terry,” says Gaiman. “I wanted to make the thing that Terry would have liked.”

Sheen and Tennant star as the angelic and demonic representatives of their respective head offices, Heaven and Hell, along with a knee-weakening list of stars including Jon Hamm as the archangel Gabriel, Spinal Tap’s Michael McKean as the last of a once proud witchfinder army, and Frances McDormand as the voice of God. There’s Miranda Richardson, Jack Whitehall, three quarters of the League of Gentlemen, and Nick Offerman as the father of the Antichrist (sort of). The cast list reads like someone collecting acting talent to put on an ark ready for a biblical flood.

For months, we have tried to get them together again to talk about the end of the world. But life and work had them circling the globe separately, unmatchable as opposing magnets. Sheen is currently in New York filming The Good Fight, in which he plays a Machiavellian lawyer, and Tennant has flown in on the red-eye from Phoenix, Arizona, where he was appearing at the Ace Comic Con, mobbed by Doctor Who fans. Both of them have, since they last saw each other, grown beards. Tennant is ecstatic about the beards, and both are thrilled to see each other, and New York, again.

“I’ve spent a lot of time in New York over the years now,” says Sheen. “But still there’s times where you look at something and you think it just looks so incredibly beautiful, or strange, or filmic. It never loses that sense of unreality. I love being able to take it in by walking through the streets. Los Angeles feels like everything happens indoors, whereas here in New York, everything happens outdoors.”

“I do like New York,” adds Tennant. “I love a big city, and I love a busy city.”

Tennant and Sheen have bumped into each other before, both appearing in Stephen Fry’s 2003 film Bright Young Things, but they were never in the same scene. Sheen voice a character in an episode of Doctor Who written by Gaiman, but by then Tennant’s Doctor had regenerated. They tend to go for similar roles so there’s rarely a chance for them to both be cast — it’s usually one or the other. Gaiman, the author and showrunner of Good Omens, selected Sheen for the role. “I’ve known Michael for about a decade and one of the things that always impressed me about him was his goodness,” he says. “He’s just very good. He radiates goodness and lovability. I was always fascinated by the fact that he tends to play characters who, at least on the outside, are sort of brittle and perhaps a little damaged or dangerous.”

Selecting an actor to play the BMW driving, skinny-jeans-wearing demon was an equally tricky task. “For David, I was writing episode three and there is a scene set in a church. I had to bring Crowley on and suddenly I knew exactly how I needed that scene to be done in order to work: with him coming down the aisle hopping from foot to foot, going ‘ow ow ow ow ow!’ like he’s at the beach in bare feet. Only David Tennant could do that right. People seemed baffled when it was announced that they were cast because they’re a similar kind of actor, but the similarities between them felt so incredibly right when you’re building this kind of thing.”

Tennant and Sheen joke that when the theatre production of Good Omens (hold your horses, there isn’t one) travels the world, they will swap roles every night, even though Sheen says he couldn’t imagine it the other way around: “Ultimately I don’t think I can pull off cool,” he says, as Tennant scoffs in disbelief. “I think it just suits my natural being, that I’m kind of a worrier, and a little bit too anal for my own good. Things annoy me if they’re not quite right. And yet I like to think of myself as being a good person. So all of that hypocrisy and finickiness seems to lend itself to the natural rhythm of Aziraphale.”

“I love that you describe Crowley as cool,” laughs Tennant. “I think he thinks he’s cool, but isn’t.”

Tennant is adamant that having Gaiman as a showrunner is the pin that is holding this strange world together, one that is “tonally sort of nebulous”, but definitely very funny, and one that would benefit from a bingewatch to take it in all at once (all six episodes will be available on Amazon at once and later the BBC will broadcast them week-by-week). “I think if anyone else was running this they would’ve normalised it, would’ve made it saner, and would’ve ironed out some of the quirks of it,” he says. “Neil’s been fantastically clever at making it televisual where he had to, but it still has the madness, the impracticality of the book.”

Plus, there’s the fact that Gaiman is 50 per cent of the book. Because of that, his casting choices landed a little more softly in the world of Good Omens fandom. But Sheen and Tennant aren’t too worried about being unwelcome: they have in their short time as Aziraphale and Crowley discovered that Good Omens fans may be devoted to the point of madness (the cosplay and pornographic fan fiction has already begun), but they are certainly kind. “I have found that Neil’s work is almost like the Arthurian sword in the stone,” says Sheen. “You can only pull the sword out if you are pure of heart. And I think you only like Neil’s stuff if there’s something about you that means you won’t be mean to people on the whole.”

“I think that’s true of Doctor Who fans as well,” says Tennant. “If your mind is set in that way, then you have a generosity of spirit. And there’s quite an overlap between the two fandoms.”

They seem almost wistful until I bring up the airfield. Days after filming during a cold snap in Battersea Park, where we huddled like penguins around glowing heaters in tents, production moved to an airfield outside London where they had built a fake Soho to house Aziraphale’s bookshop. It was the place that changed everyone’s idea of what ‘cold’ actually meant, but it also became the ultimate green room of all time. Both of them look wide-eyed at the mention of the place, for both reasons.

“That blasted airfield! It was blasted in every sense of the word,” says Tennant. “But the great joy was you had all the cast together at once. Between takes we had this big trailer where they would blast the heaters and we’d go and recover.”

“We’d drink hot chocolate, tell stories, and watch TV,” beams Sheen, who says the thing he misses most about the UK is the fact that he can mention The Flumps and people actually know what that is.

“But the only TV channel that would work was some version of Turner Classic Movies,” says Tennant. “Ancient old movies on a loop. Michael McKean would just sit there telling us stories about people he knew or about some sort of terrible Hollywood lifestyle they’d once lived.”

Though it took months to get them both in the same room in the same city, it is a genuine treat to see Sheen and Tennant together. They seem to prop each other up, to fill the space where the other is not, in both acting and conversing. Neither steps on the other’s toes. Above all, they seem to have a deep respect for one another. “It genuinely made me sad when we stopped filming,” says Sheen. “I didn’t want to not be doing it any more.” Good Omens makes you wonder why nobody thought of putting them together sooner. It is the strangest buddy story so far, the one just before the end of the world, starring the most unlikely pals who for some reason quite like each other — mostly because they’ve just been posted here a bit too long by their superiors so they have more in common with each other than they do with Heaven or Hell — and, crucially, quite like us. It’s the kind of thing that makes you believe the world is worth saving.